Showing posts with label art journals. Show all posts
Showing posts with label art journals. Show all posts

Friday, April 10, 2026

Continuing to Create

 

“Patience is waiting. Not passively waiting. That is laziness. But to keep going when the going is hard and slow — that is patience. The two most powerful warriors are patience and time.”

Leo Tolstoy

 


How do you keep creating when your art studio is almost completely empty? When water damage has changed your house and your life? At the end of January, over ten and a half weeks ago, freezing temperatures caused a pipe inside the bedroom wall to burst, soaking parts of the bedroom carpet, trailing into hallway. Although plumbers fixed the leak the same day, it’s been an extremely long process to dry out, repair, and restore the damage. And I’m still in the repair phase after all this time.

The damage in my studio was not visible but the wall was affected so the service company packed out almost everything in both rooms to work on the water mitigation. Part of the wall in each room as well as all the carpet and all the wood floor had to be ripped up, dried out with multiple fans and de-humidifiers. The next step was fixing the walls with insulation, drywall, texture, and paint.

Right now, I have a rolling computer cart, a chair, and some floor lamps in my studio. Everything thing else has either been relocated in other areas of the house or packed and moved into a storage pod in the driveway.

The amount of destruction and removal of items seemed out of proportion to the initial leak. Yet, I know it could have been much worse. I know I’m privileged to have a house and a dedicated place to create.

So, I’m waiting. It requires patience, endurance, worry, and discomfort. The unknown stares me in the face daily. When I wonder when my normal life will resume, I realize that this is my new normal just now. It might not last forever but it certainly does feel like it. Two intimate rooms—my studio and our bedroom—has seen a parade of strangers in and out.

As I wait, I think.

What is the nature of a home? Before they packed up items in both rooms, I moved out things I might need. For how long, I didn’t know. Every estimate has fallen flat. Until they removed the last of the carpet and wood floor, I lived on little islands of flooring on the cement slab. Now, it’s just the cement slab. Living with stress, uncertainty, with loss, with less. Sounds and music echoes in the high ceiling because it’s bare of shelves, books, desks, paintings, and supplies. In my mind I can almost hear my late husband saying, “Well, we’re camping out now,” in his humorous take on events. But he isn’t here any longer, gone almost three years now. And it’s still hard being here without him, in the place where we both had lived the longest.

What is the nature of stuff? When we moved to this house my focus was on writing, a hobby that does not require a lot of supplies. But then I got interested in art and painting and my interest shifted.

What possession do I really need? What do I actually use now? What craft was a passing phase? Do I own these possessions or do they own me? Can curiosity lead to clutter? Since the Pandemic, I have done a lot less spontaneous craft shopping, which is certainly a good thing.

So, I’ve begun to look at things with a more critical eye. And I know I when I finally get to unpack all my stuff, I’ll take a hard look at each item and decide whether to keep, to recycle, to donate, or to discard it.

Now to answer the original question I posed in the beginning of this post. Although I tried doing some collage, a little play in journals, I couldn’t focus or continued those. But once I set up a card table and began working steadily in a small unbound journal, already holding a mix of paper and fiber pages, something clicked. Yes, you can create under less than ideal circumstances. You can have a project that holds your attention and allows you to take a break from reality. You can have art and play transport you while your hands play with texture and color.




 

“All things must pass.”

George Harrison

 

“Art is not escape, but a way of finding order in chaos, a way of confronting life.”

Robert Hayden

Friday, April 18, 2014

Some New Journals




Been wanting to bind these up for a while.




This is a mixed-paper journal using the last of those old 1879 book covers. Inside are odds & ends of calendar, scrapbook, pastel, cardstock,  and watercolor papers. I covered the front and back in a heavy upholstery fabric I love. It's a sewn-over-tapes journal using light gray leather strips.





 
This is another sewn-over-tapes binding with green leather strips. I painted canvas boards using some light modeling paste.  Inside papers are Fabriano Artistico 140 lb. cold press watercolor paper and one of my painted pockets with a leaf painting.





8" x 6" canvas board covers






With both of these, I forgot a few things and did them ahead of time instead of as the last things. But, they are only for me so it's just cosmetic.




Love the details on this journal!










Sunday, May 19, 2013

New Watercolor Paper Art Journal

Front cover


Here is my latest art journal. Inside is Fabriano Artistico rough watercolor paper that I tore down from a large watercolor block.








Back cover


The cover is an acrylic painting created on Fabriano Artistico watercolor paper, also. First time I tried using a paper cover like this.






 
 
 
There are six signatures, sewn with the long stitch.
 
 
 
 
 
 
 





Detail, front cover

Sunday, April 28, 2013

Spread 1


Close up

I'm enjoying working in my new Ancient Colors Journal. With just a handful of colors, I'm playing with texture and composition.

Here is the first spread.


Full spread

close-up

Friday, April 19, 2013

New Art Journal

Art Journal
6" x 8"
Front cover




This is the new art journal I made to explore my current fascination with just 4 colors. I cut a small 9” x 12” painting on watercolor paper to fit as the covers. It feels wonderful since I mixed some gesso into the paint. It feels rough and I love how it turned out.

Wanting to try Stonehenge paper and using canvas boards as covers, this sewn-over-tapes journal has both. Loved how the tapes don’t show and distract from the covers, something I only thought of a few days before I bound and sewed and glued it together.




Back cover







Sunday, February 24, 2013

Where Do the Wee Ones Come From?



Painting last week, this wee figure appeared under my brush, quite unexpectedly. Where did he or she come from? Is it a Neolithic person who might have assembled that craggy and creviced stone circle nearby? Could it be a Druid or rotund monk? Or perhaps a fabled wee one?




 
No matter. Popping out of my imagination, this creature with little feet and a hooded cloak is most welcome.

This spread started out as an experiment to see how watercolors washed over bits of foil. It turned out to a little time travelogue. I love it when this happens!


 

Sunday, February 17, 2013

Still Playing with Watercolors




For over a month, I’ve been experimenting with both ½ pan and tube watercolors in a commercially-made journal. There’s only two spreads left in the book but that will not stop me using watercolors after that! From the looks of this journal, you can see various techniques borrowed from my first love—acrylics. Can’t believe how warped this so-called watercolor journal has gotten! Has anyone ever ironed down paper after it has dried?




  There are many test spreads using Windsor & Newton ½ pans and a no. 14 brush as well as a few with W&N tube watercolors and a 2” skywash brush. Love the freedom of such a wide brush and look at the tube colors here! Indigo, what a gorgeous color! Blue jeans, stormy skies, deep waters. Guess the acrylic comparison would be Phthalocyanine (or Phthalo) Blue. Such a gorgeous hue!






Now I am convinced watercolors have a place in my art cabinet. They ARE great for working in art journals and will probably do their main job there inside. Right now, I just can’t see painting and framing a watercolor nor using it as a journal cover since the completed work can lifted with more water!

 









Next up? I’ll probably make myself a new watercolor journal using up paper originally bought for acrylics. Not sure why I have an 18” x 24” block of rough watercolor paper—maybe I was inexperienced at the time with the difference between cold-press and hot press and how each affected the way I used acrylics. I want to see how using 100% cotton paper allows for more experiments. Maybe I’ll make a sampler with various other watercolor papers on hand.








Monday, February 4, 2013

Green Flower Power & Blue Leather Peace Journals



Still on a journal-making roll! Here are my two newest. The first is the Green Flower Power Art Journal that has green cotton fabric outer cover fused to brown textured fabric inside.






There are four painted pages and four pockets with, what else, leaves!





The paper is one artists dream of—Fabriano Artistico cold-press 140 lb. watercolor.



Five signatures are sewn into the covers, tied with a leather cord with a small leaf bead around a maple leaf concho.



The other is made of dark blue leather with a gray spiral fabric fused inside. It ties around with a leather cord around a peace sign. Far-out!




More painted pages and pockets to hold all your tickets, paper scraps, and wild dreams.



They feature blue and turquoise colors, naturally.


Six signatures of very light blue 140 lb. Magnani Pescia paper.




Both are available in my Etsy shop.