Sunday, June 16, 2019

Leaf Prints Journal



Here's my newest journal. I was inspired by other artist's small books and thought I'd cull some already made pages from my stash of acrylic paintings.






This one is just so cute and feels good in your hand. I experimented using an old cotton t-shirt for the covers and it turned out great.







Most of the leaf prints were made in 2008, 2009, and 2010 with a brayer or gelatin on 140 lb. watercolor papers.



































Some leaves are from trees that are no longer around and bring back a memory, such as the Ginkgo trees near the front of the library where I work. 










There are still many blank pages awaiting a swirl of new leaf prints.

Sunday, October 28, 2018

New Journal


This is a new journal I made for a co-worker. It's 6" x 8" and the binding style is sewn-over-tapes. I used thick leather for the tapes.


I painted the covers in various blues with a smattering of teal. Several areas have really nice texture from the acrylic paint.



















The signatures of various blue cardstock hold different kinds of artist papers.


Included is this pocket set I painted with acrylics on heavy 140 lb. watercolor paper.








This pocket was originally a calendar page by Jen Delyth.







This is a real library pocket; I grabbed a bunch when our library stopped using them and were throwing them out. There's a nice swirl from left-over acrylic paint on a brayer.











Sunday, September 16, 2018

Playing with Mixed Media in an Altered Book “Myths and Legends”




In May, I signed up for an online art journal class called “21 Secrets, The Best of 2014 & 2015.” Inspired by Catherine Anderson’s class Media Remix I decided to alter a hardback book for my experiments.

Using craft acrylics, I laid a background base. Then added magazine images, sometimes just the silhouette, and worked the pages with Caran d’Ache Neocolor II water soluble crayons as well as using Sakura Gellyroll Moonlight markers. On some spreads, I also added highly textured objects (my handmade stamp or my hair band clip) and did some rubbings with the crayons; that worked terrifically.





I really like using these different media on the page spreads. In the past, when trying to use a hardback book and artist grade heavy bodied acrylics, I would get frustrated because the paper just couldn’t stand up to that kind of paint. But craft acrylics is perfect since there isn’t a lot of thickness to it and not much pigment. The kind I used--DecoArt Americana--looks very matte on the page when scraped thinly with a plastic card or palette knife. And with the addition of the crayons, there was no chance the pages would stick together.




The original title of the book is “Myths and Legends of Ireland” so I’ve called this art journal “Myths and Legends.” Because I’ve started it with this distinctive style, I’m inclined to continue doing page spreads with these same ideas. Do you ever do that? Does it make it harder to change it up? Why do I feel every spread has to echo the previous ones? If an art journal a place of experimentation why keep everything the same? It does add to continuity to keeping a theme. Another altered book I did—and finished!—used only collage images; my tools were a sharp scissors and a glue stick. Tell me what your art journals are like.